"Prélude à l'imitation de Mr. Froberger" by Louis Couperin, Gustav Leonhardt was released on January 1, 1989. Since Prélude à l'imitation de Mr. Froberger is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Leonhardt's "Harpsichord Recital" album is number 1 out of 14. On top of that, Netherlands appears to be the country where this track was created. Prélude à l'imitation de Mr. Froberger is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prélude à l'imitation de Mr. Froberger by Louis Couperin, Gustav Leonhardt to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: II. Sarabande | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | B Minor | 1 | 10A | 128 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Pyrame et Thisbé: Air pour les guerriers | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | B♭ Minor | 3 | 3A | 78 BPM | ||
Tombeau fait a Paris sur la mort de Monsieur Blancheroche, FbWV 632 | Johann Jakob Froberger, Władysław Kłosiewicz | F♯ Major | 2 | 2B | 179 BPM | ||
Viola da Gamba Suite in D Major: II. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 90 BPM | ||
Fantasia for Solo Viola in C Major, TWV 40:15: Fantasia for Solo Viola in C Major, TWV 40:15: I. Largo | Georg Philipp Telemann, Antoine Tamestit | F♯ Major | 0 | 2B | 115 BPM | ||
Caro dolce ben mio - diminutions by Giovanni Bassano | Andrea Gabrieli, Gawain Glenton, Silas Wollston | B♭ Minor | 1 | 3A | 64 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM |
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