"Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Es ist der alte Bund (Chorus)" by Johann Sebastian Bach, Aki Yanagisawa, Yoshikazu Mera, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki was released on February 28, 1996. The duration of Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Es ist der alte Bund (Chorus) is about 3 minutes long, at 3:27. Based on our data, "Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Es ist der alte Bund (Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 20 in Bach, J.S.: Cantatas, Vol. 2 - Bwv 71, 106, 131 by Johann Sebastian Bach. Based on our statistics, Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Es ist der alte Bund (Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Es ist der alte Bund (Chorus) by Johann Sebastian Bach, Aki Yanagisawa, Yoshikazu Mera, Gerd Türk, Peter Kooij, Bach Collegium Japan, Masaaki Suzuki is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Pieces de clavecin: Suite in E Minor: III. Gigue en rondeau I | Jean-Philippe Rameau, Gilbert Rowland | E♭ Minor | 2 | 2A | 132 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Suite en La: Gavotte | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 0 | 8A | 82 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM |
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