Johann Sebastian Bach, Glenn Gould made "Partita No. 2 in C Minor, BWV 826: IV. Sarabande" available on 1957. The duration of Partita No. 2 in C Minor, BWV 826: IV. Sarabande is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Partita No. 2 in C Minor, BWV 826: IV. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 10 out of 90. Partita No. 2 in C Minor, BWV 826: IV. Sarabande is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Partita No. 2 in C Minor, BWV 826: IV. Sarabande by Johann Sebastian Bach, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Little Preludes: No. 1 in C Major, BWV 933 | Johann Sebastian Bach, Glenn Gould | C Major | 4 | 8B | 104 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
Italian Concerto in F Major, BWV 971: III. Presto | Glenn Gould | F Major | 6 | 7B | 142 BPM | ||
Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III | Robert Schumann, Maria João Pires | A♭ Major | 0 | 4B | 91 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans, Anne-Katharina Schreiber, Gottfried Von Der Goltz | B♭ Minor | 1 | 3A | 69 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Three-Part Inventions (Sinfonias), BWV 787-801: Sinfonia No. 3 in D Major, BWV 789 | Glenn Gould | G Major | 4 | 9B | 107 BPM | ||
Ave Maria (After Bach's Prelude in C Major) - Upon Piano Roll Welte-Mignon 3560-US, Issued 1913 | Johann Sebastian Bach, Charles Gounod, Laura Danziger | G Major | 0 | 9B | 69 BPM | ||
Waldszenen, Op. 82: III. Einsame Blumen | Robert Schumann, Sviatoslav Richter | G Minor | 0 | 6A | 134 BPM |
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