"Waldszenen, Op. 82: III. Einsame Blumen" by Robert Schumann, Sviatoslav Richter was released on January 1, 2010. The duration of Waldszenen, Op. 82: III. Einsame Blumen is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Waldszenen, Op. 82: III. Einsame Blumen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Schumann: Marsch No.2, Op.76; Waldszenen, Op.82; Fantasiestücke, Op.12". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, Waldszenen, Op. 82: III. Einsame Blumen's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Waldszenen, Op. 82: III. Einsame Blumen by Robert Schumann, Sviatoslav Richter having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: 1. Von fremden Ländern und Menschen | Robert Schumann, Daniel Barenboim | G Major | 0 | 9B | 68 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 4 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 68 BPM | ||
Mazurka No. 24 in C Op. 33 No. 3 | Frédéric Chopin, Nikita Magaloff | C Major | 0 | 8B | 71 BPM | ||
Lyric Pieces Book III, Op.43: 1. Butterfly | Edvard Grieg, Andrei Gavrilov | E Major | 1 | 12B | 71 BPM | ||
Romance in F Minor, Op. 11, B. 38 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B♭ Minor | 0 | 3A | 209 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. VI | Clara Schumann, Benjamin Grosvenor | A Major | 0 | 11B | 167 BPM | ||
Schumann: Liederkreis, Op. 24: No. 2, Es treibt mich hin | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | F♯ Major | 1 | 2B | 168 BPM |
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