Johann Sebastian Bach, Janine Jansen, Maxim Rysanov's '15 Two-part Inventions, BWV 772/786: No. 4 in D Minor, BWV 775' came out on January 1, 2007. With 15 Two-part Inventions, BWV 772/786: No. 4 in D Minor, BWV 775 being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 35 in Bach: Inventions & Partita by Johann Sebastian Bach, Janine Jansen, Maxim Rysanov, Torleif Thedéen. In terms of popularity, 15 Two-part Inventions, BWV 772/786: No. 4 in D Minor, BWV 775 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 15 Two-part Inventions, BWV 772/786: No. 4 in D Minor, BWV 775 by Johann Sebastian Bach, Janine Jansen, Maxim Rysanov is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 4 | 12B | 172 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: 3. Allegro | Johann Sebastian Bach, Henryk Szeryng, Jean-Pierre Rampal, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 120 BPM | ||
Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 1 | 7B | 164 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Passacaglia in D Minor | Johann Caspar Ferdinand Fischer, Trevor Pinnock | D♭ Minor | 4 | 12A | 109 BPM |
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