Sonata in G minor, Wq. 65/17: 2. Adagio - Carl Philipp Emanuel Bach, Mikhail Pletnev Information

Acousticness: 99%
Danceability: 39%
Energy: 1%
Instrumentalness: 92%
Liveness: 7%
Loudness: 51%
Speechiness: 6%
Valence: 25%
Popularity: 8%
Loudness: -29.659 dB

Summary

Carl Philipp Emanuel Bach, Mikhail Pletnev's 'Sonata in G minor, Wq. 65/17: 2. Adagio' came out on January 1, 2001. With this song being about 5 minutes long, at 4:30, "Sonata in G minor, Wq. 65/17: 2. Adagio" by Carl Philipp Emanuel Bach, Mikhail Pletnev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 22 in Bach, C.P.E.: Sonatas & Rondos by Carl Philipp Emanuel Bach, Mikhail Pletnev. Sonata in G minor, Wq. 65/17: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sonata in G minor, Wq. 65/17: 2. Adagio BPM

The tempo marking of Sonata in G minor, Wq. 65/17: 2. Adagio by Carl Philipp Emanuel Bach, Mikhail Pletnev is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Sonata in G minor, Wq. 65/17: 2. Adagio Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 9. Aria, "Ihr Tore Gottes, öffnet euch!" (Baritone)	Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf	D Major	4	10B	124 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major	Antonín Dvořák, Stefan Veselka	G Major	0	9B	66 BPM
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 12. Chor, "Tod! Wo ist dein Stachel?" (Chorus)	Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Vlaams Radiokoor	D Major	4	10B	124 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2)	Franz Liszt, Joseph Banowetz	A♭ Major	0	4B	149 BPM
Freie Fantasie fürs Clavier in F-Sharp Minor, H. 300: III. Largo	Carl Philipp Emanuel Bach, Marc-André Hamelin	F♯ Minor	0	11A	69 BPM
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)	Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman	E♭ Major	1	5B	170 BPM
Cello Concerto in D Minor, RV 407: I. Allegro	Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer	D Minor	1	7A	116 BPM
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 2: No. 2. Rezitativ, "Dort seh' ich aus den Toren" (Baritone)	Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf	D Major	4	10B	124 BPM
Suite pastorale: III. Sous-bois	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	G Major	0	9B	0 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7092840671539307

End: 0.7158360481262207