Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Vlaams Radiokoor's 'Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 12. Chor, "Tod! Wo ist dein Stachel?" (Chorus)' came out on February 25, 2022. With Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 12. Chor, "Tod! Wo ist dein Stachel?" (Chorus) being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 22 in C.P.E. Bach: Die Auferstehung und Himmelfahrt Jesu, H. 777 by Karl Wilhelm Ramler, Carl Philipp Emanuel Bach, Bart Van Reyn, Il Gardellino, Vlaams Radiokoor. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 12. Chor, "Tod! Wo ist dein Stachel?" (Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 12. Chor, "Tod! Wo ist dein Stachel?" (Chorus) by Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Vlaams Radiokoor is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Violin Concerto in C Major, RV 184: III. Allegro | Antonio Vivaldi, Roberto Baraldi, Accademia I Filarmonici, Alberto Martini | C Major | 2 | 8B | 117 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Bach, CPE: Solfeggietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Fazıl Say | D♭ Major | 3 | 3B | 120 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |
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