Johann Sebastian Bach, Yolanda Kondonassis made "Lute Suite in E Minor, BWV 996: I. Prelude. Presto (Transcr. Y. Kondonassis)" available on November 1, 1994. The duration of Lute Suite in E Minor, BWV 996: I. Prelude. Presto (Transcr. Y. Kondonassis) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Lute Suite in E Minor, BWV 996: I. Prelude. Presto (Transcr. Y. Kondonassis)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 16 in A New Baroque by Yolanda Kondonassis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Lute Suite in E Minor, BWV 996: I. Prelude. Presto (Transcr. Y. Kondonassis) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Lute Suite in E Minor, BWV 996: I. Prelude. Presto (Transcr. Y. Kondonassis) by Johann Sebastian Bach, Yolanda Kondonassis is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: 1. Vivace | Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens | D Minor | 2 | 7A | 86 BPM | ||
Oboe Concerto in C Major, RV 452: II. Adagio | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Suite No. 1 in G Major, BWV 1007 (Arr. for Piano by Thomas Jarry): VI. Gigue | Johann Sebastian Bach, Thomas Jarry | D Major | 2 | 10B | 118 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM |
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