Toronto Symphony Orchestra made "O Canada - Instrumental" available on January 1, 2008. With O Canada - Instrumental being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "O Canada!". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Canada. In terms of popularity, O Canada - Instrumental is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With O Canada - Instrumental by Toronto Symphony Orchestra having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudi alla Vergine Maria | Giuseppe Verdi, Salzburg Bach Choir, Alois Glassner | C Major | 2 | 8B | 73 BPM | ||
Gia il sole dal gange | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 76 BPM | ||
Enigma Variations: Var. VIII: ?W.N.? Allegretto | Toronto Symphony Orchestra | G Major | 0 | 9B | 103 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones | C Major | 0 | 8B | 78 BPM | ||
Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
Haydn: Trumpet Concerto In E Flat - Ii Andante | Franz Joseph Haydn, Tine Thing Helseth | A♭ Major | 0 | 4B | 74 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Michel Corboz, Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne | D Major | 3 | 10B | 124 BPM |
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