"La Bayadere, Act I, Scene 1: 5. “Entrance - Nikiya"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. With La Bayadere, Act I, Scene 1: 5. “Entrance - Nikiya" being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 5 out of 53. La Bayadere, Act I, Scene 1: 5. “Entrance - Nikiya" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act I, Scene 1: 5. “Entrance - Nikiya" by Evergreen Symphony Orchestra, Kevin Galiè to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird, KC 10: IX. Second tableau - Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | B Major | 3 | 1B | 90 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 0 | 1A | 127 BPM | ||
Pesther Csárdás Op. 23 | Johann Strauss II, Hallé, Bramwell Tovey | C Major | 1 | 8B | 147 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Irena Grafenauer, Eduard Brunner, Markus Steckeler, Edith Salmen-Weber | C Major | 3 | 8B | 103 BPM | ||
Masquerade - Ballet Suite: 2. Nocturne | Aram Khachaturian, John Georgiadis, London Symphony Orchestra, Stanley Black | A Major | 0 | 11B | 111 BPM | ||
Le Corsaire: Pas d Escalve - Gulnare variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E Major | 0 | 12B | 80 BPM | ||
La Bayadere, Act III: 43. "Entrance - Corps De Ballet, Nikiya, Solo | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 1 | 10B | 80 BPM | ||
La bayadère, Act II: "Variazione Solor" | Silvano Belfiore | D Major | 4 | 10B | 77 BPM | ||
La Bayadere, Act II: 33. "Wedding Variation - Gamzatti" | Evergreen Symphony Orchestra, Kevin Galiè | A♭ Major | 1 | 4B | 78 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 14, Juliet's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 68 BPM |
Section: 0.6195087432861328
End: 0.6256256103515625