"A Somerset Rhapsody, Op. 21 No. 2, H. 87 (Arr. for Wind Band)" by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon was released on January 1, 2006. Since A Somerset Rhapsody, Op. 21 No. 2, H. 87 (Arr. for Wind Band) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 11 out of 15 in Composer's Collection: Gustav Holst by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon. In terms of popularity, A Somerset Rhapsody, Op. 21 No. 2, H. 87 (Arr. for Wind Band) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Somerset Rhapsody, Op. 21 No. 2, H. 87 (Arr. for Wind Band) by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trombone Concerto in B-Flat Major: III. Allegro | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | F Major | 1 | 7B | 69 BPM | ||
City Trees | Michael Markowski, Brooklyn Wind Symphony, Brian Worsdale | B♭ Major | 1 | 6B | 84 BPM | ||
Homage to the Dream | Mark Camphouse, North Texas Wind Symphony, Eugene Migliaro Corporon | A Major | 1 | 11B | 74 BPM | ||
Prelude in the Dorian Mode (Arr. P. Grainger) | Antonio de Cabezón, Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 0 | 7A | 138 BPM | ||
Medieval Suite: III. Homage to Machaut | Ron Nelson, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 0 | 7A | 67 BPM | ||
Brook Green Suite: III. Dance | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 82 BPM | ||
Masquerade, Op. 102 | Cincinnati Wind Symphony, Eugene Migliaro Corporon | E Minor | 1 | 9A | 80 BPM | ||
A Somerset Rhapsody, Op. 21, No. 2 | Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | B Minor | 0 | 10A | 65 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Polovetsian Dances from Prince Igor: Allegro con spirito | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 5 | 11B | 90 BPM |
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