"Etude de Concert" by Marcel Tournier, Edward Witsenburg was released on August 19, 2002. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Edward Witsenburg's "Harp Music from Six Centuries" album is number 19 out of 24. In terms of popularity, Etude de Concert is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Etude de Concert by Marcel Tournier, Edward Witsenburg to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude de concert: Au matin. Allegro | Marcel Tournier, Chantal Mathieu | F Major | 0 | 7B | 81 BPM | ||
Pierné: Impromptu-caprice, Op. 9ter | Gabriel Pierné, Markus Klinko | E♭ Major | 1 | 5B | 78 BPM | ||
Concerto for Flute & Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, János Rolla, Franz Liszt Chamber Orchestra, George Szell, Liszt Ferenc Kamarazenekar | F Major | 1 | 7B | 99 BPM | ||
Tournier: Berceuse | Marcel Tournier, Catherine Michel | G Major | 0 | 9B | 69 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | F♯ Minor | 1 | 11A | 95 BPM | ||
Suite for Cello and Piano: I. Prelude - Conversation | Isobel Dunlop, Alexandra Mackenzie, Ingrid Sawers | A Minor | 1 | 8A | 140 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Danses hongroises du 17ème Siècle: III. Chorea | Ferenc Farkas, Sarah Christ | E Minor | 0 | 9A | 95 BPM | ||
Impromptu-Caprice, Op. 9 | Gabriel Pierné, Ellen Bødtker | A♭ Major | 2 | 4B | 94 BPM | ||
Allegretto, Op. 116 | Benjamin Godard, Philippa Davies, Thelma Owen | E♭ Major | 1 | 5B | 81 BPM |
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