Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord" - Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel Information

Acousticness: 98%
Danceability: 14%
Energy: 8%
Instrumentalness: 86%
Liveness: 9%
Loudness: 63%
Speechiness: 3%
Valence: 4%
Popularity: 5%
Loudness: -21.926 dB

Summary

"Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord"" by Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel was released on January 1, 1997. The duration of Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord" is about 3 minutes long, at 3:21. Based on our data, "Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Bryn Terfel, Renée Fleming, Edinburgh Festival Chorus, Orchestra of the Age of Enlightenment, Paul Daniel's "Mendelssohn: Elijah" album is number 11 out of 44. Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord" BPM

We consider the tempo marking of Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord" by Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Elijah, Op.70, MWV A25 / Part 1: "Bless'd are they who fear the Lord" Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
In jener letzten der Nächte	Anton Bruckner, Philipp Sonntag, Robert Holzer, Thomas Kerbl, Regina Riel, Martin Kiener, Daniel Pannermayr, Isabell Czarnecki De Czarnce, Christian Schmidbauer	B Minor	2	10A	145 BPM
Mass in G Minor: Credo	Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Hugh Cutting, Peter Lidbetter, William Ashford, Michael Bell, Gopal Kambo, Andrew Nethsingha	C Major	1	8B	88 BPM
Mass No.2 in G Major, D.167: II. Gloria	Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra	F Major	0	7B	159 BPM
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Agnus Dei: Dona nobis pacem	Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir	E♭ Major	3	5B	112 BPM
Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle"	Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian Schmitt	G Minor	3	6A	120 BPM
Messa di Gloria, Op.posth., Sanctus & Benedictus: Benedictus qui venit in nomine Domini	Giacomo Puccini, Thomas Hampson, Antonio Pappano, London Symphony Orchestra	B♭ Major	1	6B	74 BPM
Te Deum In C Major - Hob. XXIIIc:2: "Aeterna fac cum Sanctis tuis -...Allegro moderato "Aet	Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir	C Major	3	8B	108 BPM
Samson HWV 57 / Act 2: "To fleeting pleasures make your court"	George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket	D♭ Major	2	3B	110 BPM
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Credo in unum Deum	Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis	D Major	3	10B	121 BPM
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 10, Chorus. "Awake the Harp" (Chorus)	Joseph Haydn, Sir Simon Rattle, City of Birmingham Symphony Chorus, City Of Birmingham Symphony Orchestra	B♭ Major	3	6B	109 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.678011417388916

End: 0.6828818321228027