"Mass in G Minor: Credo" by Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Hugh Cutting, Peter Lidbetter, William Ashford, Michael Bell, Gopal Kambo, Andrew Nethsingha was released on May 18, 2018. Since Mass in G Minor: Credo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vaughan Williams: Mass in G Minor by Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Joseph Wicks, Andrew Nethsingha. The song's track number on the album is #3 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Mass in G Minor: Credo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Mass in G Minor: Credo by Ralph Vaughan Williams, Choir of St. John's College, Cambridge, Hugh Cutting, Peter Lidbetter, William Ashford, Michael Bell, Gopal Kambo, Andrew Nethsingha has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Mass in G Minor: Credo being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Kyrie: Kyrie eleison (I) | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Major | 2 | 10B | 54 BPM | ||
Requiem, Op. 89 B. 165: Sequentia: Tuba mirum (Alto, Tenor, Bass, Chorus) | Antonín Dvořák, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | D♭ Major | 2 | 3B | 92 BPM | ||
The Crucifixion: Recitative: And they came to a place named Gethsemane (Tenor) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | D♭ Major | 0 | 3B | 187 BPM | ||
String Quartet No. 1 in G Minor: I. Allegro moderato | Ralph Vaughan Williams, Medici String Quartet | C Major | 1 | 8B | 66 BPM | ||
Dido and Aeneas - Realised: Imogen Holst & Benjamin Britten - Act 1: "Fear no danger to ensue" | Henry Purcell, Norma Burrowes, Felicity Lott, The London Opera Chorus, Aldeburgh Festival Strings, Steuart Bedford | C Major | 2 | 8B | 94 BPM | ||
Dixit Dominus, HWV 232: 7. Judicabit in nationibus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | A Major | 4 | 11B | 111 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | G Major | 0 | 9B | 104 BPM | ||
It Was a Lover and His Lass: It was a Lover and his Lass | Ralph Vaughan Williams, Anthony Rolfe Johnson, Simon Keenlyside, Graham Johnson, Duke Quartet | B Minor | 0 | 10A | 127 BPM | ||
Stabat Mater, Op. 58: V. Tui nati vulnerati (Andante con moto, quasi allegretto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | E♭ Major | 0 | 5B | 81 BPM |
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