Sean Barrett made "Life and Works: Dvorak and Tchaikovsky" available on April 16, 2004. The duration of Life and Works: Dvorak and Tchaikovsky is about 3 minutes long, at 3:17. Based on our data, "Life and Works: Dvorak and Tchaikovsky" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sean Barrett's "Life and Works: Dvorak (Siepmann)" album is number 7 out of 61. Life and Works: Dvorak and Tchaikovsky is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Life and Works: Dvorak and Tchaikovsky by Sean Barrett to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | A♭ Major | 0 | 4B | 113 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Stabat Mater, P. 77: 1. Stabat Mater dolorosa | Giovanni Battista Pergolesi, June Anderson, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit | C Minor | 1 | 5A | 82 BPM | ||
Karelia, JS 115, Tableau 3 "Narimont, the Duke of Lithuania, Levying Taxes in the Province of Kakisalmi": Intermezzo I | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | E♭ Major | 2 | 5B | 96 BPM | ||
Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM | ||
Chapter 101 - Enemies of Mercia | MJ Porter, Sean Barrett | D♭ Major | 2 | 3B | 100 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM | ||
Concerto for Strings in G Major, RV 151 "Alla rustica" | Antonio Vivaldi, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 2 | 3B | 127 BPM |
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