- BPM
- 131
- Key
- E Major
- Camelot
- 12B
L’Arlésienne Suite No. 1, GB 121: IV. Carillon - Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra Information
- Acousticness
- 99%
- Danceability
- 26%
- Energy
- 2%
- Instrumentalness
- 75%
- Liveness
- 11%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 3%
- Loudness
- -24.239 dB
Summary
"L’Arlésienne Suite No. 1, GB 121: IV. Carillon" by Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra was released on September 1, 2016. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 17 in Bizet: Symphony in C Major - Carmen Suite No. 1 - L'Arlésienne Suites Nos. 1 & 2 by Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, L’Arlésienne Suite No. 1, GB 121: IV. Carillon's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
L’Arlésienne Suite No. 1, GB 121: IV. Carillon BPM
The tempo marking of L’Arlésienne Suite No. 1, GB 121: IV. Carillon by Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
L’Arlésienne Suite No. 1, GB 121: IV. Carillon Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | |
 | L'Arlesienne Suite No. 2 (arr. E. Guirand for orchestra): L'arlesienne, Suite No. 2: II. Intermezzo | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Ádám Medveczky | E♭ Major | 0 | 5B | 68 BPM | |
 | Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | |
 | 6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | |
 | 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 | Johannes Brahms, Péter Nagy | A Minor | 1 | 8A | 126 BPM | |
 | Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | |
 | Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | |
 | Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | |
 | Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM |
- ISRC
- DKECA1607413
- Label
- L-M Records/RCA Records
Section: 0.6212506294250488
End: 0.6261780261993408