Manuel de Falla, MARÍA TOLEDO, Bilbao Sinfonietta, Iker Sánchez Silva made "El amor brujo, Scene 2 (1915 Version): No. 12, Canción del fuego fatuo" available on February 4, 2022. The duration of El amor brujo, Scene 2 (1915 Version): No. 12, Canción del fuego fatuo is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. El amor brujo, Scene 2 (1915 Version): No. 12, Canción del fuego fatuo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 23 in Falla 1915 by Manuel de Falla, MARÍA TOLEDO, Bilbao Sinfonietta, Iker Sánchez Silva, Francisco Domínguez. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, El amor brujo, Scene 2 (1915 Version): No. 12, Canción del fuego fatuo's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of El amor brujo, Scene 2 (1915 Version): No. 12, Canción del fuego fatuo by Manuel de Falla, MARÍA TOLEDO, Bilbao Sinfonietta, Iker Sánchez Silva is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Valses poeticos: No. 1. Melodic Waltz | Enrique Granados, Douglas Riva | E♭ Major | 0 | 5B | 78 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Noches en los jardines de España: III. En los jardines de la sierra de Cordoba. Vivo | Manuel de Falla, Javier Perianes | G Major | 1 | 9B | 142 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM |
Section: 0.6094784736633301
End: 0.616466760635376