- BPM
- 111
- Key
- F Minor
- Camelot
- 4A
Musica Poetica I: Wirrle warrle, was ist das? - Fünf Paar lederne Strümpf - Tromm, tromm, tromm - Reiter zu Pferd - Carl Orff, Gunild Keetman, Tölzer Knabenchor Information
- Acousticness
- 83%
- Danceability
- 70%
- Energy
- 38%
- Instrumentalness
- 4%
- Liveness
- 14%
- Loudness
- 64%
- Speechiness
- 55%
- Valence
- 10%
- Popularity
- 1%
- Loudness
- -21.662 dB
Summary
"Musica Poetica I: Wirrle warrle, was ist das? - Fünf Paar lederne Strümpf - Tromm, tromm, tromm - Reiter zu Pferd" by Carl Orff, Gunild Keetman, Tölzer Knabenchor was released on 1964. The duration of Musica Poetica I: Wirrle warrle, was ist das? - Fünf Paar lederne Strümpf - Tromm, tromm, tromm - Reiter zu Pferd is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Musica Poetica I: Wirrle warrle, was ist das? - Fünf Paar lederne Strümpf - Tromm, tromm, tromm - Reiter zu Pferd's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 113 in Carl Orff & Gunhild Keetman: Musica Poetica by Carl Orff, Tölzer Knabenchor. In terms of popularity, Musica Poetica I: Wirrle warrle, was ist das? - Fünf Paar lederne Strümpf - Tromm, tromm, tromm - Reiter zu Pferd is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Musica Poetica I: Wirrle warrle, was ist das? - Fünf Paar lederne Strümpf - Tromm, tromm, tromm - Reiter zu Pferd BPM
The tempo marking of Musica Poetica I: Wirrle warrle, was ist das? - Fünf Paar lederne Strümpf - Tromm, tromm, tromm - Reiter zu Pferd by Carl Orff, Gunild Keetman, Tölzer Knabenchor is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Musica Poetica I: Wirrle warrle, was ist das? - Fünf Paar lederne Strümpf - Tromm, tromm, tromm - Reiter zu Pferd Key
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Scottish Chamber Orchestra, Roderick Brydon | D Major | 1 | 10B | 89 BPM | |
 | Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | |
 | Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) | Henry Purcell, Baroque Brass Of London, David Hill | B♭ Minor | 2 | 3A | 85 BPM | |
 | Das Rheingold: Einzug der Götter in Walhall | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | D♭ Major | 1 | 3B | 76 BPM | |
 | Gayane: Sabre Dance - Redbook Stereo | Aram Khachaturian, Arthur Fiedler | C Major | 6 | 8B | 90 BPM | |
 | Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | |
 | Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Symphonieorchester des Bayerischen Rundfunks, Andris Nelsons | E Minor | 1 | 9A | 143 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): They all march together, Peter, then the Hunters with the Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 108 BPM | |
 | Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata | Johann Sebastian Bach, Lionel Rogg | G Major | 2 | 9B | 84 BPM | |
 | La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6578609943389893
End: 0.6627178192138672