Carl Maria von Weber, Birgit Nilsson, Julia Hamari, Bavarian Radio Symphony Orchestra, Rafael Kubelík's 'Oberon, J.306 / Act 1: "O welches Glück!"' came out on January 1, 2006. The duration of Oberon, J.306 / Act 1: "O welches Glück!" is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Oberon, J.306 / Act 1: "O welches Glück!"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weber: Oberon by Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik. The song's track number on the album is #13 out of 42 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Oberon, J.306 / Act 1: "O welches Glück!"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Oberon, J.306 / Act 1: "O welches Glück!" by Carl Maria von Weber, Birgit Nilsson, Julia Hamari, Bavarian Radio Symphony Orchestra, Rafael Kubelík has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Oberon, J.306 / Act 1: "O welches Glück!" being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.6 in D minor BWV851 | Daniel Barenboim | D Minor | 1 | 7A | 129 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged by Wilhelm Kempff: Ronde des esprits bienheureux | Christoph Willibald Gluck, Wilhelm Kempff | F Major | 0 | 7B | 73 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Nocturne No.13 In C Minor, Op.48 No.1 | Frédéric Chopin, Maurizio Pollini | C Minor | 1 | 5A | 169 BPM |
Section: 0.6459846496582031
End: 0.6506524085998535