Georges Bizet, London Symphony Orchestra, Claudio Abbado made "L'Arlésienne Suite No. 1, WD 40: Minuetto" available on January 1, 1999. The duration of L'Arlésienne Suite No. 1, WD 40: Minuetto is about 3 minutes long, at 3:14. Based on our data, "L'Arlésienne Suite No. 1, WD 40: Minuetto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zwischen Tag und Traum Vol.2: by Douglas Boyd, Mischa Maisky, English Chamber Orchestra, Orpheus Chamber Orchestra, London Symphony Orchestra, Philharmonia Orchestra, Rafael Kubelik, Giuseppe Sinopoli, Claudio Abbado. The song's track number on the album is #5 out of 15 tracks. Based on our statistics, L'Arlésienne Suite No. 1, WD 40: Minuetto's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since L'Arlésienne Suite No. 1, WD 40: Minuetto by Georges Bizet, London Symphony Orchestra, Claudio Abbado has a tempo of 155 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With L'Arlésienne Suite No. 1, WD 40: Minuetto being at 155 BPM, the half-time would be 78 BPM with a double-time of 310 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
Le docteur Miracle: Scene 2: Romance: Me gronder pour cela (Laurette) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | E♭ Major | 0 | 5B | 130 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | A Major | 1 | 11B | 103 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Carmen, Act III, No.23 Duo (continued..): Elle avait pour amant (Escamillo/Don José) | Georges Bizet, Thomas Hampson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E♭ Major | 2 | 5B | 104 BPM |
Section: 0.9954328536987305
End: 1.005354404449463