Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti made "The Sleeping Beauty, Op. 66, TH 13 / Act 2: 16. Scène (Allegro agitato)" available on January 1, 1981. With The Sleeping Beauty, Op. 66, TH 13 / Act 2: 16. Scène (Allegro agitato) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #5. In terms of popularity, The Sleeping Beauty, Op. 66, TH 13 / Act 2: 16. Scène (Allegro agitato) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Sleeping Beauty, Op. 66, TH 13 / Act 2: 16. Scène (Allegro agitato) by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry VIII: Idylle ecossaise | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 93 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Friedenswerke (The Hero's Works of Peace) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | G Major | 0 | 9B | 82 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: Prelude | Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 0 | 9A | 65 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 2: 15c. Coda | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | G Minor | 1 | 6A | 146 BPM | ||
Giselle: Act I: Marche des vignerons (Grape-Pickers' March) | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 3 | 10B | 115 BPM | ||
Capriccio Espagnol, Op. 34: II. Variazioni | Nikolai Rimsky-Korsakov, George Szell, Cleveland Orchestra | F Major | 1 | 7B | 99 BPM | ||
Variations on a theme of Frank Bridge, Op.10: 6. Bourrée Classique | Benjamin Britten, English Chamber Orchestra | D Major | 2 | 10B | 103 BPM | ||
Mendelssohn: Symphony No. 4 in A Major, Op. 90, "Italian": III. Con moto moderato | Felix Mendelssohn, Christian Thielemann, Munich Philharmonic Orchestra | E Major | 0 | 12B | 82 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Tantseval'naya syuita (Dance Suite): Lezghinka | Aram Khachaturian, Moscow Symphony Orchestra, Dmitry Yablonsky | E Minor | 0 | 9A | 83 BPM |
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