Ed, Orquesta Filarmónica Peralada, Manuel Serrano Cuenca's 'Peer Gynt, Suite No. 2, Op. 55: II. Arabian Dance' came out on 2002. With this song being about 5 minutes long, at 4:34, "Peer Gynt, Suite No. 2, Op. 55: II. Arabian Dance" by Ed, Orquesta Filarmónica Peralada, Manuel Serrano Cuenca is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 11 in Edvard Grieg: Masterpieces. Peer Gynt by Ed, Orquesta Filarmónica Peralada, Manuel Serrano Cuenca. Based on our statistics, Peer Gynt, Suite No. 2, Op. 55: II. Arabian Dance's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Peer Gynt, Suite No. 2, Op. 55: II. Arabian Dance by Ed, Orquesta Filarmónica Peralada, Manuel Serrano Cuenca is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly (Remastered): Act II - Un bel dì | Giacomo Puccini, Erich Leinsdorf | F Major | 3 | 7B | 110 BPM | ||
What Do You Like | Vb, Ed | F Minor | 7 | 4A | 158 BPM | ||
Trad / Arr Spiegl : Radio 4 UK Theme | Anonymous, BBC Symphony Orchestra, David Parry | B♭ Major | 0 | 6B | 134 BPM | ||
The Hall of The Mountain King | Armonie Symphony Orchestra | B Minor | 0 | 10A | 101 BPM | ||
Die Walküre: Ride of the Valkyries (Act III) | Richard Wagner, Karl Anton Rickenbacher, London Philharmonic Orchestra | B Major | 2 | 1B | 86 BPM | ||
Symphony No.5 In C Minor, Op.67 | Ludwig van Beethoven, Herbert von Karajan, Berliner Philharmoniker | F Minor | 3 | 4A | 99 BPM | ||
Swan Lake, Op. 20: Act III: Danse Espagnole | Pyotr Ilyich Tchaikovsky, Kristjan Järvi | F♯ Major | 2 | 2B | 139 BPM | ||
Lohengrin: Act III Scene 1: Treulich gefuhrt, ziehet dahin (Wedding March) (Chorus) | Richard Wagner, Kwangchul Youn, Johan Botha, Adrianne Pieczonka, Falk Struckmann, Petra Lang, Eike Wilm-Schulte, Prague Chamber Chorus, North German Radio Chorus, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Semyon Bychkov | B♭ Major | 0 | 6B | 99 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Carmen: Act I: Prelude | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | A Minor | 3 | 8A | 128 BPM |
Section: 0.7013912200927734
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