"Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.7 in C major : III Presto" by Evaristo Felice Dall'Abaco, Concerto Köln was released on September 11, 1998. With Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.7 in C major : III Presto being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 34 in Dall'Abaco : Concerti (DAW 50) by Evaristo Felice Dall'Abaco, Concerto Köln. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.7 in C major : III Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dall'Abaco : Concerti a quattro da chiesa Op.2 [1712], Concerto No.7 in C major : III Presto by Evaristo Felice Dall'Abaco, Concerto Köln is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Orchestra Of The 18th Century, Alexander Janiczek | E Major | 3 | 12B | 128 BPM | ||
Mandolin Sonata No. 1: III. Andante | Robert Valentine, Artemandoline | B Major | 4 | 1B | 145 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: II. Adagio | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Sinfonia No. 1 in D Major (arrangement of oratorio sinfonia Il martirio di San Terenziano): I. A tempo guisto e staccato | Antonio Caldara, Bárbara Sela, Carlos Garcia-Bernalt, University of Salamanca Baroque Orchestra, Angel Sampedro | A♭ Minor | 3 | 1A | 120 BPM | ||
Symphony in C Major, J-C 4: III. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: IV. Allegretto gratioso | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM | ||
Concerti a più istrumenti in G Major, Op. 6 No. 5, III. Allegro | Evaristo Felice Dall'Abaco, Davide Monti, Il Tempio Armonico, Orchestra Barocca di Verona, Alberto Rasi | F♯ Major | 2 | 2B | 126 BPM | ||
Flute Concerto in F, RV 18 2 (Largo) | Vivaldi, Vivaldi Orchestra | F Major | 1 | 7B | 86 BPM | ||
Concerto à più instrumenti in D Major, Op. 5, No. 6: V. Allegro | Evaristo Felice Dall'Abaco, Nadja Zwiener, Tuomo Suni, Harry Bicket, The English Concert | D♭ Major | 4 | 3B | 139 BPM |
Section: 0.5873711109161377
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