Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo - Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra Information

Acousticness: 92%
Danceability: 15%
Energy: 1%
Instrumentalness: 53%
Liveness: 8%
Loudness: 46%
Speechiness: 4%
Valence: 3%
Popularity: 4%
Loudness: -32.246 dB

Summary

"Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo" by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra was released on October 1, 1990. The duration of Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 19 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo BPM

We consider the tempo marking of Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Variations on a Hungarian Folksong "The Peacock": XI. Andante espressivo Key

The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
String Quintet in E-Flat Major, Op. 97 'The American': III. Larghetto	Antonín Dvořák, Krzysztof Chorzelski	A♭ Major	1	4B	82 BPM
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique	Benjamin Britten, Ensemble Allegria	A Minor	0	8A	83 BPM
Violin Concerto, Op. 48: I. Allegro molto e con brio	Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch	C Major	2	8B	145 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	C Major	1	8B	96 BPM
Brook Green Suite: I. Prelude	Gustav Holst, English Sinfonia, Howard Griffiths	F Major	2	7B	123 BPM
Epigrammak (Epigrams) (arr. L. Lencses): No. 7. Con moto	Lajos Lencsés, Zoltán Kodály, Budapest Strings	A Major	1	11B	84 BPM
Symphony No. 14, Op. 135: II. Malagueña	Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck	C Major	2	8B	101 BPM
Capriol Suite: 4. Bransles	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	2	9B	156 BPM
Suite pastorale: II. Danse villageoise	Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner	A Major	1	11B	126 BPM
7 Piano pieces, Op. 11: No. 4. Epitaph: Rubato	Zoltán Kodály, Andrew Rangell	E Minor	0	9A	68 BPM

ISRC: GBLWD9010619
Label: L-M Records/RCA Records

Section: 0.7242085933685303

End: 0.7282381057739258