Gaetano Donizetti, Luisa Mandelli, Hilde Gueden, Giuseppe Di Stefano, Renato Capecchi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli's ' "L'elisir d'amore / Act 1: "Signor sargente"" was released on its scheduled release date, January 1, 1955. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. L'elisir d'amore / Act 1: "Signor sargente"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 29 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Hilde Gueden, Giuseppe Di Stefano, Renato Capecchi, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli. In terms of popularity, L'elisir d'amore / Act 1: "Signor sargente" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of L'elisir d'amore / Act 1: "Signor sargente" by Gaetano Donizetti, Luisa Mandelli, Hilde Gueden, Giuseppe Di Stefano, Renato Capecchi, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Alain Lombard, Mady Mesple, Orchestre du Theatre National de IOpera-Comique | E Minor | 1 | 9A | 70 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM |