Johann Sebastian Bach, Murray Perahia made "French Suite No. 5 in G Major, BWV 816: VII. Gigue" available on October 7, 2016. The duration of French Suite No. 5 in G Major, BWV 816: VII. Gigue is about 3 minutes long, at 3:27. Based on our data, "French Suite No. 5 in G Major, BWV 816: VII. Gigue" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Murray Perahia's "Johann Sebastian Bach: The French Suites" album is number 31 out of 39. In terms of popularity, French Suite No. 5 in G Major, BWV 816: VII. Gigue is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of French Suite No. 5 in G Major, BWV 816: VII. Gigue by Johann Sebastian Bach, Murray Perahia to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 6 in G Minor, Op. 13, RV 58, "Il pastor fido": III. Largo | Antonio Vivaldi, Béla Drahos, Pál Kelemen, Zsuzsa Pertis | G Minor | 1 | 6A | 88 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Elizabeth Wilcock, Simon Standage, The English Concert, Trevor Pinnock | B Minor | 0 | 10A | 180 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Le Rossignol-en-Amour: 14ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | A Major | 0 | 11B | 65 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: II. Adagio | Cologne Chamber Orchestra, Gerald Hambitzer, Christoph Anselm Noll, Johann Sebastian Bach | A Minor | 1 | 8A | 81 BPM |
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