"Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 3 - Picture 2: But it is not for amorous conversations" by Modest Mussorgsky, Olga Borodina, Vladimir Galusin, Mariinsky Orchestra, Valery Gergiev was released on January 1, 1998. The duration of Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 3 - Picture 2: But it is not for amorous conversations is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 3 - Picture 2: But it is not for amorous conversations's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Vladimir Vaneev, Vladimir Galusin, Nikolai Ohotnikov, Konstantin Pluzhnikov, Olga Borodina, Evgeny Nikitin, Mariinsky Orchestra, Valery Gergiev's "Mussorgsky: Boris Godunov" album is number 27 out of 63. Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 3 - Picture 2: But it is not for amorous conversations is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Boris Godounov - Moussorgsky after Pushkin and Karamazin/Version 1872 - Act 3 - Picture 2: But it is not for amorous conversations by Modest Mussorgsky, Olga Borodina, Vladimir Galusin, Mariinsky Orchestra, Valery Gergiev to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 1. Allegro Vivace | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | B♭ Major | 3 | 6B | 83 BPM | ||
Symphony No. 2 in B Minor: 1. Allegro | Alexander Borodin, London Symphony Orchestra, Jean Martinon | G Major | 3 | 9B | 90 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 2 | 4B | 117 BPM |
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