Georg Philipp Telemann, Wolfgang Amadeus Mozart, Jonathan Morton, Maya Magub's 'Sonata No. 6 in A Minor, TWV 40:123: II. Soave' came out on October 7, 2022. The duration of Sonata No. 6 in A Minor, TWV 40:123: II. Soave is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Sonata No. 6 in A Minor, TWV 40:123: II. Soave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 38 in Canons by Maya Magub. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Sonata No. 6 in A Minor, TWV 40:123: II. Soave is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 6 in A Minor, TWV 40:123: II. Soave by Georg Philipp Telemann, Wolfgang Amadeus Mozart, Jonathan Morton, Maya Magub is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcyone Suite: Marche en rondeau | Marin Marais, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 2 | 12A | 129 BPM | ||
Concerto for Viola d'amore, Lute, Strings and Continuo in D minor, RV 540: 1. Allegro (Arr. for Guitar) | Antonio Vivaldi, Eduardo Fernandez, Norbert Blume, English Chamber Orchestra, George Malcolm | D Minor | 0 | 7A | 65 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Concerto for 2 Violins, Strings and Continuo in G Major, RV 516: II. Andante (molto) | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, The English Concert, Trevor Pinnock | C Minor | 1 | 5A | 71 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
Overture in G Minor | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM |
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