"Ihr lieben Christen, freut euch nun, BuxWV 66: VI. Terzett: "So komm doch"" by Dietrich Buxtehude, Jürgen Banholzer, Konstantin Wolff, Les Favorites, Vocalensemble Rastatt, Holger Speck was released on December 1, 2003. The duration of Ihr lieben Christen, freut euch nun, BuxWV 66: VI. Terzett: "So komm doch" is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Ihr lieben Christen, freut euch nun, BuxWV 66: VI. Terzett: "So komm doch"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 15 in Dieterich Buxtehude: In dulci jubilo by Dietrich Buxtehude, Les Favorites, Vocalensemble Rastatt, Holger Speck. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ihr lieben Christen, freut euch nun, BuxWV 66: VI. Terzett: "So komm doch" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ihr lieben Christen, freut euch nun, BuxWV 66: VI. Terzett: "So komm doch" by Dietrich Buxtehude, Jürgen Banholzer, Konstantin Wolff, Les Favorites, Vocalensemble Rastatt, Holger Speck is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VI. Minuet | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 85 BPM | ||
Hortus Musicus "Sonata Prima" in A Minor: Gigue | Johann Adam Reincken, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 2 | 8A | 116 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad cor: Concerto a 3 voci "Vulnerasti cor meum" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
In solitare arene: "Lo strale di Cupido" | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Concerto Grosso No. 1 in D Minor, "Bona nova": I. Sonata. Grave | Georg Muffat, Holland Baroque Society, Matthew Halls | B Major | 3 | 1B | 103 BPM |
Section: 0.7356739044189453
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