"The Art Of Fugue, BWV 1080 - Version For String Quartet: Chorale: Wenn wir in höchsten Nöten sein" by Johann Sebastian Bach, Emerson String Quartet was released on January 1, 2003. The duration of The Art Of Fugue, BWV 1080 - Version For String Quartet: Chorale: Wenn wir in höchsten Nöten sein is about 3 minutes long, at 3:15. Based on our data, "The Art Of Fugue, BWV 1080 - Version For String Quartet: Chorale: Wenn wir in höchsten Nöten sein" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 22 in Bach, J.S.: The Art of Fugue - Emerson String Quartet by Johann Sebastian Bach, Emerson String Quartet. In terms of popularity, The Art Of Fugue, BWV 1080 - Version For String Quartet: Chorale: Wenn wir in höchsten Nöten sein is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Chorale: Wenn wir in höchsten Nöten sein by Johann Sebastian Bach, Emerson String Quartet is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Les Tricoteuses (23e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 169 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Le Carillon de Cithére (14e ordre) | François Couperin, Alexandre Tharaud | A Major | 1 | 11B | 74 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | F Major | 2 | 7B | 72 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
An Wasserflüssen Babylon, BWV 653b | Johann Sebastian Bach, Jonathan Freeman-Attwood, Daniel-Ben Pienaar | C Major | 2 | 8B | 156 BPM |
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