- BPM
- 113
- Key
- A Major
- Camelot
- 11B
El amor brujo - Ballet By G. Martinez Sierra: Final. Las campanas del amanecer - Manuel de Falla, Teresa Berganza, London Symphony Orchestra, García Navarro Information
- Acousticness
- 98%
- Danceability
- 31%
- Energy
- 21%
- Instrumentalness
- 17%
- Liveness
- 20%
- Loudness
- 78%
- Speechiness
- 3%
- Valence
- 12%
- Popularity
- 0%
- Loudness
- -13.202 dB
Summary
"El amor brujo - Ballet By G. Martinez Sierra: Final. Las campanas del amanecer" by Manuel de Falla, Teresa Berganza, London Symphony Orchestra, García Navarro was released on January 1, 2005. With El amor brujo - Ballet By G. Martinez Sierra: Final. Las campanas del amanecer being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 105 in Brava Berganza by Teresa Berganza. In terms of popularity, El amor brujo - Ballet By G. Martinez Sierra: Final. Las campanas del amanecer is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
El amor brujo - Ballet By G. Martinez Sierra: Final. Las campanas del amanecer BPM
The tempo marking of El amor brujo - Ballet By G. Martinez Sierra: Final. Las campanas del amanecer by Manuel de Falla, Teresa Berganza, London Symphony Orchestra, García Navarro is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
El amor brujo - Ballet By G. Martinez Sierra: Final. Las campanas del amanecer Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Noches en los jardines de España: I. En el Generalife | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande, Mari Kodama | F♯ Major | 0 | 2B | 103 BPM | |
 | Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | |
 | Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | |
 | Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | |
 | Nana | Manuel de Falla, Remy Van Kesteren | A Minor | 0 | 8A | 94 BPM | |
 | Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | |
 | 6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | |
 | Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | |
 | Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | |
 | The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7133777141571045
End: 0.718092679977417