"La Pasión según San Mateo, BWV 244: No. 19, O Schmerz - No. 20, Ich will bei meinem Jesu wachen" by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín was released on March 22, 1981. Since La Pasión según San Mateo, BWV 244: No. 19, O Schmerz - No. 20, Ich will bei meinem Jesu wachen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in Bach: La Pasión según San Mateo, BWV 244 (Selección) by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín. The popularity of La Pasión según San Mateo, BWV 244: No. 19, O Schmerz - No. 20, Ich will bei meinem Jesu wachen is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Pasión según San Mateo, BWV 244: No. 19, O Schmerz - No. 20, Ich will bei meinem Jesu wachen by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pachelbel : Suite No.6 in B flat major : I Sonate | Johann Pachelbel, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | B♭ Major | 1 | 6B | 95 BPM | ||
Lady Radnor's Suite: V. Slow Minuet | Hubert Parry, Capella Istropolitana, Adrian Leaper | D Major | 1 | 10B | 120 BPM | ||
Concierto Para Dos Oboes, 2 Trompas, Violin, Bajos Y Organo En Fa Mayor Rv 571. Largo | Filarmónica Y Coro De Praga | A Major | 0 | 11B | 131 BPM | ||
Overture in D Major, TWV 55:18: Ouverture | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Major | 2 | 10B | 136 BPM | ||
Danza Degli Spettri e Delle Furie: Allegro non troppo | Christoph Willibald Gluck, Il Giardino Armonico, Giovanni Antonini | A Major | 4 | 11B | 149 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): II. Allegro | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | A Minor | 1 | 8A | 134 BPM | ||
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM | ||
Violin Concerto in F Minor, RV 297: II. Largo | Orquesta de Cámara de Berlín | B♭ Major | 1 | 6B | 89 BPM | ||
Berenice, HWV 38 / Act 2: Minuet from Overture | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 2 | 5A | 70 BPM | ||
In furore iustissimae irae, RV 626: III. Largo | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Minor | 0 | 11A | 97 BPM |
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