Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 10.8 & Kapitel 11.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 10.8 & Kapitel 11.1 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:08. Based on our data, "Kapitel 10.8 & Kapitel 11.1 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #29 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 10.8 & Kapitel 11.1 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 10.8 & Kapitel 11.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kapitel 10.8 & Kapitel 11.1 - Wie Google tickt - How Google Works being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): IV. Im Abendrot | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | E♭ Major | 0 | 5B | 69 BPM | ||
14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Hein Jung, Scott Kluksdahl, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Yunosha i deva (The Youth and the Maiden) | Alexander Dargomyzhsky, Dmitri Hvorostovsky, Ivari Ilja | G Minor | 1 | 6A | 94 BPM | ||
キューバ共和国 バヤモの歌 | Pedro Figueredo, Kazuki Yamada, 東京混声合唱団, 斎木ユリ, Japan Philharmonic Orchestra | G Major | 3 | 9B | 116 BPM | ||
Förklädd gud, Op. 24: Vem spelar på en pipa en låt av gryningsluft … (Chorus) | Mark Levengood, Charlotta Larsson, Gunnar Birgersson, Enskede Kammarkor, Swedish Radio Symphony Orchestra, Eva Karpe | G Major | 1 | 9B | 135 BPM | ||
Les 7 paroles du Christ: 1ère Parole - "Pater, dimitte illis" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 13, Trio and Chorus. "The Heavens Are Telling" (Chorus, Gabriel, Uriel, Raphael) | Joseph Haydn, Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, David Thomas, Philip Langridge, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Roberto Devereux: Act I: All'afflitto e dolce il pianto (Sara, Un Paggio) | Gaetano Donizetti, Dimitra Theodossiou, Massimiliano Pisapia, Andrew Schroeder, Federica Bragaglia, Luigi Albani, Giorgio Valerio, Tommaso Norelli, Bergamo Musica Festival Chorus, Bergamo Musica Festival Orchestra, Marcello Rota | D Major | 5 | 10B | 85 BPM | ||
Kapitel 1 & Kapitel 2.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | B Minor | 3 | 10A | 110 BPM |
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