"Messiah, HWV 56: Part 3: If God be for us (Air)" by Nikolaus Harnoncourt was released on 2005. With this song being about 5 minutes long, at 4:46, "Messiah, HWV 56: Part 3: If God be for us (Air)" by Nikolaus Harnoncourt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 26 out of 47. Based on our statistics, Messiah, HWV 56: Part 3: If God be for us (Air)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56: Part 3: If God be for us (Air) by Nikolaus Harnoncourt to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Quintet in F Major, Op. 22, No. 2: I. Allegro con moto | Johann Christian Bach, Berliner Barock Compagney | E Major | 1 | 12B | 122 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Messiah, HWV 56: Part 2: Their sound is gone out (Chorus) | Nikolaus Harnoncourt | D Major | 3 | 10B | 86 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: II. Adagio ma non troppo | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | C Major | 0 | 8B | 78 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Roland, Opera, LWV 65: Acte I, scene 6: II. Air - Dans nos Climats sans chagrin on soupire (Deux Insulaires) | Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques | C Major | 1 | 8B | 122 BPM | ||
Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | E Major | 4 | 12B | 97 BPM |
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