Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe's 'Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace' came out on January 1, 1991. Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The song is number 4 out of 8 in Beethoven: Symphonies Nos. 1 & 2 by Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace by Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 105 BPM | ||
Polonaise No. 4 in C Minor, Op. 40, No. 2 | Frédéric Chopin, Rafał Blechacz | A♭ Major | 1 | 4B | 132 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegro marziale animato | Franz Liszt, Lang Lang, Valery Gergiev, Wiener Philharmoniker | E♭ Major | 2 | 5B | 80 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: I. Nicht zu schnell (Live) | Robert Schumann, Gautier Capuçon, Bernard Haitink, Chamber Orchestra of Europe | A Minor | 0 | 8A | 107 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Septet in E-Flat Major, Op. 20: III. Tempo di menuetto | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 120 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegro non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 78 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM | ||
Symphony No. 1 in C Minor, Op. 11, MWV N 13: IV. Allegro con fuoco - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 2 | 5A | 142 BPM |
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