Messa e salmi concertati, Op. 4: Sonata per l'elevatio - Live Recording at La Chapelle Royale du Château de Versailles
Giovanni Antonio Rigatti, Galilei Consort, Benjamin Chénier
Rovetta: Messe pour la naissance de Louis XIV (Live Recording at La Chapelle Royale du Château de Versailles)
3:31 September 30, 2016
BPM
89
Key
F Major
Camelot
7B

Embed

Share Link

Messa e salmi concertati, Op. 4: Sonata per l'elevatio - Live Recording at La Chapelle Royale du Château de Versailles - Giovanni Antonio Rigatti, Galilei Consort, Benjamin Chénier Information

Acousticness
98%
Danceability
24%
Energy
8%
Instrumentalness
0%
Liveness
12%
Loudness
61%
Speechiness
4%
Valence
16%
Popularity
Loudness
-23.326 dB

Summary

"Messa e salmi concertati, Op. 4: Sonata per l'elevatio - Live Recording at La Chapelle Royale du Château de Versailles" by Giovanni Antonio Rigatti, Galilei Consort, Benjamin Chénier was released on September 30, 2016. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Rovetta: Messe pour la naissance de Louis XIV (Live Recording at La Chapelle Royale du Château de Versailles)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. Messa e salmi concertati, Op. 4: Sonata per l'elevatio - Live Recording at La Chapelle Royale du Château de Versailles is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messa e salmi concertati, Op. 4: Sonata per l'elevatio - Live Recording at La Chapelle Royale du Château de Versailles BPM

With Messa e salmi concertati, Op. 4: Sonata per l'elevatio - Live Recording at La Chapelle Royale du Château de Versailles by Giovanni Antonio Rigatti, Galilei Consort, Benjamin Chénier having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Messa e salmi concertati, Op. 4: Sonata per l'elevatio - Live Recording at La Chapelle Royale du Château de Versailles Key

This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro)Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'AmoreD♭ Major33B129 BPM
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace by Matthew Locke, Ensemble Correspondances, Sébastien DaucéPsyche, Act I Scene 1: Dance for Ambition, Power, Plenty and PeaceMatthew Locke, Ensemble Correspondances, Sébastien DaucéD♭ Major13B122 BPM
Laudate pueri à voce sola by Giovanni Antonio Rigatti, Capella Ornamentata, Richard ŠedaLaudate pueri à voce solaGiovanni Antonio Rigatti, Capella Ornamentata, Richard ŠedaF Major37B114 BPM
Atys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte) by Jean-Baptiste Lully, Les Talens Lyriques, Christophe RoussetAtys, LWV 53, Prologue: Air pour la suite de Flore (Gavotte)Jean-Baptiste Lully, Les Talens Lyriques, Christophe RoussetB♭ Major26B119 BPM
Pasión: Vere Languóres. Alto Solo. by Anónimo, Ensamble Moxos, Raquel MaldonadoPasión: Vere Languóres. Alto Solo.Anónimo, Ensamble Moxos, Raquel MaldonadoD♭ Minor412A89 BPM
Missa pro defunctis: II. Kyrie by Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'AchéronMissa pro defunctis: II. KyrieJohann Caspar Kerll, Vox Luminis, Lionel Meunier, L'AchéronF Major17B138 BPM
Missa Paschalis, ZWV 7: Kyrie. Christe eleison by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry WeyMissa Paschalis, ZWV 7: Kyrie. Christe eleisonJan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry WeyA♭ Major14B105 BPM
Stabat Mater in G Minor: VII. Sancta Mater by Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav LuksStabat Mater in G Minor: VII. Sancta MaterFrantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav LuksB Minor010A57 BPM
Sinfonia Doriclea by Francesco Cavalli, Musica Sequenza, BURAKSinfonia DoricleaFrancesco Cavalli, Musica Sequenza, BURAKF♯ Minor111A75 BPM
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) by Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble CorrespondancesCæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia)Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble CorrespondancesF♯ Minor111A176 BPM
ISRC
FR50X1596509
Label
L-M Records/RCA Records

Section: 1.0455090999603271

End: 1.7330563068389893