Giacomo Puccini, Mario Lanza, Constantine Callinicos, RCA Victor Orchestra's 'Tosca, Act III: E Lucevan La Stelle' came out on November 22, 2019. The duration of Tosca, Act III: E Lucevan La Stelle is about 3 minutes long, at 3:04. Based on our data, "Tosca, Act III: E Lucevan La Stelle" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mario Lanza, RCA Victor Orchestra's "Mario Lanza Sings Italian Opera" album is number 6 out of 19. On top of that, United Kingdom appears to be the country where this track was created. Tosca, Act III: E Lucevan La Stelle is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tosca, Act III: E Lucevan La Stelle by Giacomo Puccini, Mario Lanza, Constantine Callinicos, RCA Victor Orchestra to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
My Wild Irish Rose | Mario Lanza | D Major | 3 | 10B | 92 BPM | ||
Gianni Schicchi: Oh! Mio Babbino Caro | Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 3 | 4B | 88 BPM | ||
Les Pêcheurs de perles: Qu'ai-je vu? (Zurga, Leïla) | Georges Bizet, Ernest Blanc/Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Major | 0 | 10B | 88 BPM | ||
Vaghissima sembianza | Stefano Donaudy, Juan Diego Flórez, Filarmonica Gioachino Rossini, Carlo Tenan | A Major | 3 | 11B | 91 BPM | ||
Los Gavilanes: "No importa que al amor mío" | Coro Cantores de Madrid, Manuel Ausensi | C Minor | 4 | 5A | 173 BPM | ||
Motherland Hears | Dmitri Shostakovich, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | C Major | 3 | 8B | 89 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM |
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