Aaron Copland, London Symphony Orchestra, Antal Doráti made "Appalachian Spring - 1945 Suite: 8. Moderato: Coda" available on January 1, 1991. The duration of Appalachian Spring - 1945 Suite: 8. Moderato: Coda is about 3 minutes long, at 3:28. Based on our data, "Appalachian Spring - 1945 Suite: 8. Moderato: Coda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 19 in Copland: Appalachian Spring; Billy the Kid; El Salon Mexico; Danzon Cubano by Aaron Copland, London Symphony Orchestra, Minnesota Orchestra, Antal Doráti. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Appalachian Spring - 1945 Suite: 8. Moderato: Coda is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Appalachian Spring - 1945 Suite: 8. Moderato: Coda by Aaron Copland, London Symphony Orchestra, Antal Doráti is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Violin Concerto in G Major, Op. 2 No. 1: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 124 BPM | ||
The Red Pony Suite: IV. Walk To The Bunkhouse | Aaron Copland, Buffalo Philharmonic Orchestra | F Major | 0 | 7B | 75 BPM | ||
Handel: Concerto grosso in G Major, Op. 3 No. 3, HWV 314: III. Adagio | George Frideric Handel, Jean-Pierre Rampal, Huguette Fernandez, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | G Major | 1 | 9B | 77 BPM | ||
Symphony in F Major, Op. 2 No. 4 "Shepherd's Lottery": III. Gavot: allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 153 BPM | ||
Symphony in D Major, D. 13 "Non è bello quello che è bello mà quello che piace": III. Prestissimo | Leopold Mozart, Orchestra da Camera del Conservatorio di Mantova, Luca Bertazzi | D Major | 0 | 10B | 101 BPM | ||
Violin Sonata: I. Andante semplice | Aaron Copland, Paul Posnak, Peter Zazofsky | G Major | 0 | 9B | 95 BPM | ||
Symphony No. 51 in D Major: I. Allegro | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 1 | 10B | 77 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Flute & String Quintet by Anonymous): II. Adagio | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM |
Section: 0.7349519729614258
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