"Adès: Dante, Pt. II "Purgatorio": IV. The Healing Fire—" by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale was released on April 21, 2023. The duration of Adès: Dante, Pt. II "Purgatorio": IV. The Healing Fire— is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Adès: Dante, Pt. II "Purgatorio": IV. The Healing Fire—'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Thomas Adès: Dante". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Adès: Dante, Pt. II "Purgatorio": IV. The Healing Fire—'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adès: Dante, Pt. II "Purgatorio": IV. The Healing Fire— by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
The Sacred Veil: VII. I Am Here | Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards | F Major | 0 | 7B | 87 BPM | ||
Adès: Traced Overhead, Op. 15: I. Sursum | Thomas Adès | C Major | 0 | 8B | 73 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Ma mère l'oye, M. 62: Apothéose: Le jardin féerique. Lent et grave | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Major | 0 | 8B | 83 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Ma mère l'oye, M. 60: 1. Pavane de la Belle au bois dormant | Valeria Szervánszky, Ronald Cavaye | A Minor | 0 | 8A | 135 BPM | ||
Ravel: Miroirs, M. 43: V. La Vallée des cloches | Maurice Ravel, Bertrand Chamayou | D♭ Major | 0 | 3B | 132 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
‘Piano Sonata’ 1. X. 1905, From The Street: Foreboding | Leoš Janáček, Thomas Adès | E♭ Minor | 2 | 2A | 89 BPM |
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