"The Sacred Veil: VII. I Am Here" by Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards was released on August 28, 2020. The duration of The Sacred Veil: VII. I Am Here is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. The Sacred Veil: VII. I Am Here's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Sacred Veil". In this album, this song's track order is #7. The Sacred Veil: VII. I Am Here is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sacred Veil: VII. I Am Here by Eric Whitacre, Los Angeles Master Chorale, Jeffrey Zeigler, Lisa Edwards having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musik zur Nacht: Siziliano (Carl Orff) für Violine und Violoncello, Klavier-Übung I, Nr. 7, 1933 | Carl Orff, Karl Peinkofer Percussion Ensemble | C Major | 0 | 8B | 100 BPM | ||
Eric Whitacre: Lux aurumque | Eric Whitacre, Schola Cantorum, Tone Bianca Sparre Dahl | D♭ Minor | 1 | 12A | 69 BPM | ||
Cloudburst | Eric Whitacre, University of Nevada, Reno Wind Ensemble | D♭ Major | 3 | 3B | 45 BPM | ||
Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 3 | 8B | 85 BPM | ||
Komm, süsser Tod, BWV 478 (Arr. L. Stokowski for Orchestra) | Johann Sebastian Bach, Yannick Nézet-Séguin, Orchestre Métropolitain | B♭ Minor | 0 | 3A | 79 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
L'amour, le temps | Bernat Vivancos, Sigvards Kļava, Latvian Radio Choir | A Minor | 0 | 8A | 77 BPM | ||
Caprice & Elegy, RT VII/8 (Version for Cello & Piano): No. 2, Elegy | Frederick Delius, Gerald Peregrine, Antony Ingham | D Major | 0 | 10B | 169 BPM | ||
Sueno Recurrente | Angélica Negrón, Lara Downes | E♭ Major | 0 | 5B | 83 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM |
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