"Vespers for a New Dark Age: VII. Machine" by Missy Mazzoli, Victoire, Glenn Kotche was released on March 31, 2015. With this song being about 5 minutes long, at 4:46, "Vespers for a New Dark Age: VII. Machine" by Missy Mazzoli, Victoire, Glenn Kotche is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Missy Mazzoli, Victoire, Glenn Kotche's "Missy Mazzoli: Vespers for a New Dark Age" album is number 7 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, Vespers for a New Dark Age: VII. Machine is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers for a New Dark Age: VII. Machine by Missy Mazzoli, Victoire, Glenn Kotche to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arcadiana, Op. 12: 6. O Albion (Arr. Clements) | Thomas Adès, Voces8 | F Major | 0 | 7B | 88 BPM | ||
Dark with Excessive Bright | Missy Mazzoli, Peter Herresthal, Bergen Philharmonic Orchestra, James Gaffigan | G Major | 1 | 9B | 83 BPM | ||
G Song | Terry Riley, Kronos Quartet | G Minor | 2 | 6A | 109 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | E Minor | 0 | 9A | 78 BPM | ||
Hey Panda | William Brittelle, Andrea La Rose, Ed Rosenberg, Jean Cook, James Moore, Bradley Kemp, Pat Muchmore, Missy Mazzoli | C Major | 3 | 8B | 135 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
October - Arr. for Marimba Quartet | Eric Whitacre, Joby Burgess, Sam Wilson, Calum Huggan, Rob Farrer | G Major | 0 | 9B | 67 BPM | ||
Trois Mélodies: Élegie | Erik Satie, Barbara Hannigan, Reinbert de Leeuw | B Major | 0 | 1B | 88 BPM | ||
Préludes / Book 1, L. 117: VI. Des pas sur la neige | Claude Debussy, Arturo Benedetti Michelangeli | D Minor | 0 | 7A | 75 BPM |
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