"Schwanensee, Op. 20: Act I No. 2: Valse" by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky was released on November 18, 2002. Since Schwanensee, Op. 20: Act I No. 2: Valse is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 55 in the song's album "Tchaikovsky: Swan Lake (Complete Ballet)". In this album, this song's track order is #3. Schwanensee, Op. 20: Act I No. 2: Valse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schwanensee, Op. 20: Act I No. 2: Valse by Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 2 | 6A | 146 BPM | ||
Kapitel 4 - Nussknacker und Mausekönig und Peer Gynt mit Musik von Peter Tschaikowski und Edvard Grieg | Die ZEIT-Edition " Märchen Klassik für kleine Hörer ", Ernst Theodor Amadeus Hoffmann, Henrik Ibsen, Gerhard Fehn, Joshua Thevissen, Thomas Hof, Vivian Reufels, Jenny Winkler, Michael Seeboth, Silvia Goics, Christian Bergmann, Valentin Stroh, Almut Rau, Luca Zamperoni, Marvin Thiede, Hildegard Meier, Anna-Maria Böhm, Sebastian Kolb, Julia Katharina Stark, Friedrich Bochröder, Emil Schwarz, Dominik Paul Weber, Frank Logemann, Jana Rahma, Janis Rattenni | C Major | 2 | 8B | 111 BPM | ||
3 Small Tone Poems: No. 2. Winter Night, "Sleigh Ride" | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 92 BPM | ||
Glazunov: The Seasons, Op. 67, Pt. 1 "Winter": No. 4, Ice Variation | Alexander Glazunov, Yevgeny Svetlanov, Philharmonia Orchestra | F Major | 1 | 7B | 74 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3g. Pas de six: Variation V (Violente) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | F Major | 1 | 7B | 160 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
Daphnis et Chloé Suite No. 2, M. 57b: I. Lever du jour | Maurice Ravel, SWR Symphony Orchestra, Ernest Bour | D Major | 2 | 10B | 78 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op. 60: IV. Troika | Sergei Prokofiev, Neeme Järvi, Royal Scottish National Orchestra | G Major | 2 | 9B | 138 BPM | ||
Flute Concerto in D Major, Op. 10, No. 3, RV 428, "Il gardellino": II. Largo | Antonio Vivaldi, Janos Balint, Deborah Sipkai | F Major | 1 | 7B | 120 BPM | ||
Bethlehem Down | Peter Warlock, Benjamin Grosvenor | C Major | 0 | 8B | 93 BPM |
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