"Flute Concerto in D Major, Op. 10, No. 3, RV 428, "Il gardellino": II. Largo" by Antonio Vivaldi, Janos Balint, Deborah Sipkai was released on January 1, 1998. The duration of Flute Concerto in D Major, Op. 10, No. 3, RV 428, "Il gardellino": II. Largo is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Flute Concerto in D Major, Op. 10, No. 3, RV 428, "Il gardellino": II. Largo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in Flute and Harp Arrangements - Tartini, G. / Bach, J.S. / Mozart, W.A. / Tchaikovsky, P.I. / Liszt, F. / Grieg, E. / Chopin, F. by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Flute Concerto in D Major, Op. 10, No. 3, RV 428, "Il gardellino": II. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Flute Concerto in D Major, Op. 10, No. 3, RV 428, "Il gardellino": II. Largo by Antonio Vivaldi, Janos Balint, Deborah Sipkai is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jour de Fête: Les Chanteurs de Noël | Alexander Glazunov, Angèle Dubeau, La Pietà | F Major | 1 | 7B | 87 BPM | ||
Panis angelicus | César Franck, Stephen Cleobury, Choir of King's College, Cambridge | A Major | 2 | 11B | 77 BPM | ||
Messiah: Part 1, Symphony | The Sixteen | E♭ Minor | 1 | 2A | 104 BPM | ||
Pifa (Pastoral Symphony) - Live | George Frideric Handel, Andrew Davis, Toronto Symphony Orchestra, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle | C Major | 0 | 8B | 68 BPM | ||
O Holy Night | Dallas String Quartet | D Major | 7 | 10B | 128 BPM | ||
Waltz Of The Flowers | Boston String Quartet | D Major | 2 | 10B | 172 BPM | ||
Prelude in C Minor, BWV 999 (arr. for harp) | Andrea Vigh, Johann Sebastian Bach | E♭ Minor | 0 | 2A | 159 BPM | ||
AS WITH GLADNESS | Phil Manzanera, Andy Mackay, The Players | F Major | 3 | 7B | 106 BPM | ||
Ave Maria (Nach J.S.Bach): In C-Dur, BWV 864: Praeludium | Ernst Riedlinger | F Major | 2 | 7B | 68 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Jesu, Joy of Man's Desiring (Arr. for String Quartet) | Johann Sebastian Bach, Lumiere String Quartet | G Major | 1 | 9B | 88 BPM |
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