Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen made "Symphony No. 5 in C Major: I. Allegro non molto" available on January 1, 2000. With this song being about 5 minutes long, at 4:48, "Symphony No. 5 in C Major: I. Allegro non molto" by Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Richter, F.X.: Grandes Symphonies (1744), Nos. 7-12 (Set 2)". In this album, this song's track order is #18. In terms of popularity, Symphony No. 5 in C Major: I. Allegro non molto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 5 in C Major: I. Allegro non molto by Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Corelli: Sonata No. 9 in G Major (from "12 Trio Sonatas", Op. 1): Allegro - Allegro - Adagio - Allegro - Adagio - Allegro - Adagio | Arcangelo Corelli, London Baroque/Charles Medlam, Charles Medlam | D♭ Minor | 1 | 12A | 61 BPM | ||
Suite in G: Air I | Johann Ludwig Bach, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 88 BPM | ||
Concerto à 8 in G Major, ZWV 186: III. Allegro | Jan Dismas Zelenka, Freiburger Barockorchester, Gottfried Von Der Goltz | D♭ Major | 2 | 3B | 116 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Die Kunst der Fuge, BWV 1080: V. Contrapunctus V | Johann Sebastian Bach, Aapo Häkkinen | D♭ Minor | 3 | 12A | 107 BPM | ||
Vom Pagen und der Königstochter, Op. 140: Ballade IV. Die Säle funkeln im Königsschloss | Robert Schumann, Benno Schachtner, Cornelius Uhle, Jonathan Sells, Estonian Philharmonic Chamber Choir, Helsinki Baroque Orchestra, Aapo Häkkinen | D♭ Minor | 1 | 12A | 172 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: V. Loure | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 0 | 6A | 132 BPM | ||
Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): I. Allegro assai | Carl Philipp Emanuel Bach, London Baroque, Richard Egarr | F Major | 0 | 7B | 141 BPM | ||
Symphony No. 5 in C Major: II. Andante | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | D Major | 1 | 10B | 78 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Ninfa che scalza il piede e sciolto il crine (sv160) -Part II: Qui deh meco t'arresta, ove di fiori | Claudio Monteverdi, Alfred Deller, Deller Consort | E♭ Major | 1 | 5B | 79 BPM |
Section: 0.7069754600524902
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