Ilya Kaler made "24 Caprices, Op. 1: No. 9 in E major" available on June 11, 1993. The duration of 24 Caprices, Op. 1: No. 9 in E major is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 24 Caprices, Op. 1: No. 9 in E major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices, Op. 1". In this album, this song's track order is #9. 24 Caprices, Op. 1: No. 9 in E major is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 24 Caprices, Op. 1: No. 9 in E major by Ilya Kaler having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne | Dmitri Shostakovich, Ilya Kaler, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 88 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Suite de concert, Op. 28: IV. Theme and Variations: Theme: Andantino | Sergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling | E♭ Major | 3 | 5B | 178 BPM | ||
Violin Sonata in E Minor, Op. 27, No. 4: I. Allemande: Lento maestoso | Eugène Ysaÿe, Ilya Kaler | E Minor | 0 | 9A | 78 BPM | ||
Violin Concerto in A Minor, Op. 82: II. Adagio ma non troppo | Alexander Glazunov, Ilya Kaler, Polish National Radio Symphony Orchestra, Camilla Kolchinsky | A Minor | 2 | 8A | 128 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco - Redbook Stereo | Henri Vieuxtemps, Jascha Heifetz, Sir Malcolm Sargent, The New Symphony Orchestra Of London | A Minor | 3 | 8A | 131 BPM | ||
Suite de concert, Op. 28: IV. Theme and Variations: Variation 1: Allegro moderato | Sergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling | E♭ Major | 3 | 5B | 178 BPM |
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