Jacques Offenbach, André Cluytens, Louis Musy, Orchestre du Théâtre national de l'Opéra-Comique made "Offenbach: Les contes d'Hoffmann, Act I: "Oui, l'on devient digne d'envie" - Couplets. "Dans les rôles d'amoureux langoureux" (Lindorf)" available on January 1, 1948. The duration of Offenbach: Les contes d'Hoffmann, Act I: "Oui, l'on devient digne d'envie" - Couplets. "Dans les rôles d'amoureux langoureux" (Lindorf) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Offenbach: Les contes d'Hoffmann, Act I: "Oui, l'on devient digne d'envie" - Couplets. "Dans les rôles d'amoureux langoureux" (Lindorf)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Offenbach: Les contes d'Hoffmann". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Offenbach: Les contes d'Hoffmann, Act I: "Oui, l'on devient digne d'envie" - Couplets. "Dans les rôles d'amoureux langoureux" (Lindorf) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Offenbach: Les contes d'Hoffmann, Act I: "Oui, l'on devient digne d'envie" - Couplets. "Dans les rôles d'amoureux langoureux" (Lindorf) by Jacques Offenbach, André Cluytens, Louis Musy, Orchestre du Théâtre national de l'Opéra-Comique having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Les larmes de Jacqueline | Jacques Offenbach, Hee-young Lim | C Major | 0 | 8B | 85 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Carmen, Opera Suite No. 2: VI. Danse Bohème (Act 2) | London Festival Orchestra Alfred Scholz | A Minor | 1 | 8A | 128 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
Medley: Strauss Party | Johann Strauss I, Gioachino Rossini, Franz von Suppé, Franz Lehár, Hermann Dostal, Jacques Offenbach, André Rieu, Johann Strauss Orchestra | G Major | 7 | 9B | 106 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Gaîté parisienne: Barcarolle - Excerpt | Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 68 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM |
Section: 0.6684224605560303
End: 0.6747128963470459