"Die Fledermaus, Act III: No. 16, Finale. O Fledermaus, o Fledermaus" by Johann Strauss II, Erika Köth, Eberhard Wächter, Waldemar Kmentt, Hilde Gueden, Walter Berry, Giuseppe Zampieri, Regina Resnik, Peter Klein, Erich Kunz, Hedwig Schubert, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan had its release date on May 17, 2024. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Die Fledermaus, Act III: No. 16, Finale. O Fledermaus, o Fledermaus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Strauss II, Herbert von Karajan, Josef Strauss, Johann Strauss I's "Karajan A-Z: Johann Strauss - Josef Strauss" album is number 77 out of 77. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Die Fledermaus, Act III: No. 16, Finale. O Fledermaus, o Fledermaus's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Die Fledermaus, Act III: No. 16, Finale. O Fledermaus, o Fledermaus by Johann Strauss II, Erika Köth, Eberhard Wächter, Waldemar Kmentt, Hilde Gueden, Walter Berry, Giuseppe Zampieri, Regina Resnik, Peter Klein, Erich Kunz, Hedwig Schubert, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Waltzing Cat | Leroy Anderson, Simon Tedeschi, Paul Mann, Melbourne Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM |