"Der Genesene an die Hoffnung" by Hugo Wolf, Ian Bostridge, Antonio Pappano was released on July 10, 2006. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wolf: Lieder by Hugo Wolf, Ian Bostridge. The song's track number on the album is #6 out of 24 tracks. Der Genesene an die Hoffnung is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der Genesene an die Hoffnung by Hugo Wolf, Ian Bostridge, Antonio Pappano has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der Genesene an die Hoffnung being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tom Bowling and Other Song Arrangements: Greensleeves | Benjamin Britten, Philip Langridge, Graham Johnson | B♭ Minor | 7 | 3A | 133 BPM | ||
A Piper | Charlotte Hoather, George Todica | G Major | 3 | 9B | 76 BPM | ||
Liebesliederwalzer, Op. 52: III. O die Frauen | Johannes Brahms, Georg Friedrich Daumer, Konrad Jarnot, Camillo Radicke, Christoph Berner, Werner Güra | D Major | 2 | 10B | 130 BPM | ||
Liebeslieder-Walzer, Op.52 - Verses From "Polydora": 1. Rede, Mädchen, allzu liebes | Johannes Brahms, Edith Mathis, Brigitte Fassbaender, Peter Schreier, Dietrich Fischer-Dieskau, Karl Engel, Wolfgang Sawallisch | E Major | 1 | 12B | 94 BPM | ||
Berlioz: Tristia, Op. 18, H. 119: II. La Mort d'Ophélie, H. 92a | Hector Berlioz, Sabine Devieilhe | B♭ Major | 1 | 6B | 108 BPM | ||
Stabat Mater, Op. 53: I. Stala Matka bolejaca (Soprano, Soprano & Alto Chorus) | Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, BBC Symphony Chorus | G Major | 2 | 9B | 67 BPM | ||
Wie lange schon war immer mein Verlangen | Hugo Wolf, Mojca Erdmann | D♭ Major | 0 | 3B | 78 BPM | ||
Los Mediocres | La Matatena, Hugo Wolf | A Minor | 1 | 8A | 110 BPM | ||
Fauré: 5 Mélodies de Venise, Op. 58: No. 1, Mandoline | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM |
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