"Wie lange schon war immer mein Verlangen" by Hugo Wolf, Mojca Erdmann was released on March 25, 2011. The duration of Wie lange schon war immer mein Verlangen is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Wie lange schon war immer mein Verlangen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf: Italienisches Liederbuch by Hugo Wolf, Christian Gerhaher. The song's track number on the album is #11 out of 46 tracks. Based on our data, United States was the country where this track was produced or recorded. Wie lange schon war immer mein Verlangen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wie lange schon war immer mein Verlangen by Hugo Wolf, Mojca Erdmann has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wie lange schon war immer mein Verlangen being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abends will ich schlafen gehn | Sibylla Rubens, Ingeborg Danz, Elisabeth Föll | E♭ Minor | 0 | 2A | 82 BPM | ||
Berlioz: Tristia, Op. 18, H. 119: II. La Mort d'Ophélie, H. 92a | Hector Berlioz, Sabine Devieilhe | B♭ Major | 1 | 6B | 108 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Mörike-Lieder: Gedichte von Eduard Morike: No. 28. Gebet (arr. M. Reger for voice and organ) | Max Reger, Hugo Wolf, Christine Brewer, Paul Jacobs | E Major | 1 | 12B | 137 BPM | ||
5 Canons on Latin Texts, Op. 16: Dormi Jesu | Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern | D♭ Major | 0 | 3B | 110 BPM | ||
Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | ||
Liebesliederwalzer, Op. 52: Liebesliederwalzer, Op. 52: I. Rede, Mädchen, allzu liebes | Johannes Brahms, Camillo Radicke, Marlis Petersen, Werner Güra, Konrad Jarnot, Christoph Berner, Stella Doufexis | E Major | 2 | 12B | 94 BPM | ||
Mozart: An Chloe, K. 524 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Les Berceaux, Op. 23 No. 1 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM |
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