"The Importance of Being Earnest, Act I: Miss Fairfax, Ever Since I Met You (Live)" by Gerald Barry, Peter Tantsits, Katalin Károlyi, Birmingham Contemporary Music Group, Thomas Adès had its release date on November 4, 2014. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. The Importance of Being Earnest, Act I: Miss Fairfax, Ever Since I Met You (Live)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 5 out of 37. On top of that, United Kingdom appears to be the country where this track was created. The Importance of Being Earnest, Act I: Miss Fairfax, Ever Since I Met You (Live) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Importance of Being Earnest, Act I: Miss Fairfax, Ever Since I Met You (Live) by Gerald Barry, Peter Tantsits, Katalin Károlyi, Birmingham Contemporary Music Group, Thomas Adès to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
D'un matin de printemps | Lili Boulanger, Olivier Charlier, Emile Naoumoff | C Major | 2 | 8B | 145 BPM | ||
The Harmonious Blacksmith (Air and Variations in E Major from Suite No. 5, Book I) | George Frideric Handel, Igor Kipnis | B♭ Minor | 3 | 3A | 78 BPM | ||
Alice's Adventures Under Ground: Tweedledum And Tweedledee | Gerald Barry, Andre de Ridder, Claudia Boyle, Clare Presland, Hilary Summers, Gavan Ring, Peter Tantsits, Stephen Richardson, Alan Ewing, Irish National Opera, Irish Chamber Orchestra | F Minor | 5 | 4A | 99 BPM | ||
Sortie in E flat | Louis James Alfred Lefébure-Wély, William McVicker | B♭ Major | 1 | 6B | 89 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Organ Symphony No. 5 in F minor, Op. 42, No. 1: Organ Symphony No. 5: Toccata | Bertalan Hock, Charles-Marie Widor | F Major | 2 | 7B | 106 BPM | ||
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | G Minor | 2 | 6A | 112 BPM | ||
Bassoon Concerto in B-Flat Major, K. 191: I. Allegro | Wolfgang Amadeus Mozart, Stepan Turnovsky, Mozart Akademie, Johannes Wildner | B♭ Major | 1 | 6B | 119 BPM | ||
Jeux D'Eau | Maurice Ravel, André Laplante | A Major | 1 | 11B | 65 BPM |